REMINDER: Vote in LAMB Casting!

Hey there friendly reader. Just giving you a reminder to go vote for your favourite casting choices in the latest "LAMB Casting". There are some great choices (including my own) for a hypothetical remake of "On The Waterfront".

Just click here to find the poll: http://www.largeassmovieblogs.com/2012/07/lamb-casting-on-waterfront-voting-time.html

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MOVIE OF THE WEEK: Like Stars On Earth

"Like Stars on Earth" (Taare Zameen Par in Hindi) is an inspirational film that ranks among the best of Indian cinema (in my opinion). The film tells the story of a dyslexic 8-year old who struggles in school due to society's ignorance of his condition. Due to the subject matter I was fully prepared to dismiss this film, expecting something sappy and overly sentimental. Thankfully, I was wrong. This film really worked for me on so many levels. Story-wise, this poignant film really struck a chord with me. Growing up on a small Caribbean Island, I could totally relate to the pressures of an education system based on traditional British principles. The rigid structure (much more than that found in USA) is firmly opposed to alternative teaching methods. In fact, many persons in my country (I'm sure it's the same in other Caribbean countries too) still scoff at the notion of mental disorders like ADHD. I could easily imagine challenged kids in my society going through the same struggles as Ishaan (the focal character). The parents' shame, the insensitive children and the strange tendency to use humiliation as motivation, are all things that I've seen in my school days. This film is actually a great companion piece for the equally affecting "3 Idiots", where the pressure to succeed (in specific fields of study) continues at University-level. In the Caribbean and India, we are still yet to embrace the concept of a holistic liberal arts education. As a result, many students crumble under the pressure to become one of the big 3: lawyer, doctor, engineer.
Accompanying this great screenplay is a beautiful score, fine acting and even some cool visual effects that really bring you into Ishaan's perspective. The music is less "loud" than many other Bollywood films, with lyrics that are actually quite touching. Aamir Khan plays a great character that celebrates all those great teachers out there that contribute so much to society. Last but not least, the film features outstanding child acting from Darsheel Safary as Ishaan. His performance is quite accomplished, as it doesn't use the expected mannerisms that we have come to expect from similar roles. I really loved his performance and the film in general. Highly recommended.

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OSCAR WATCH: The Dark Knight Rises

Mayhem, glorious mayhem. That seems to be the main focus behind this thrilling conclusion to "The Dark Knight" trilogy. Christopher Nolan goes all out and delivers a truly epic cinematic experience. This film gives you everything and then some. As a result, I will admit that Nolan gets slightly carried away with the grand action spectacle. It's almost too much to take in sometimes. This is only a minor issue, as the pay-off is well worth it. By the end of this film, I was literally bug-eyed with my jaw on the floor.

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HIT ME WITH YOUR BEST SHOT: The Royal Tenenbaums

On this week's Hit me with your best shot, Nathaniel chose a film by one of the most unique directors currently working today (Wes Anderson). The featured film is "The Royal Tenenbaums", which has one of the best ensemble casts ever. This movie came as a big surprise to me, as I was ready to dismiss it before even watching it. I am one of those people who don't "get" Wes Anderson's style and find his movies too "twee". Strangely enough, I loved this film. The screenplay is really strong and is grounded with a true sense of poignancy. While the film maintains the usual Wes Anderson quirkiness, there is a definite undercurrent of melancholia. It almost brought me to tears on several occasions. This film is about intra-family relationships, the failures of these relationships and the disappointments of life in general. I was particularly struck by the imperfections of all the characters in the film, which really gave the movie an authentic real-world feel. Even in instances where a family is comfortably affluent and well-educated, the film reminds us that life is still not perfect. My favourite shot focuses on the estranged patriarch of the Tenenbaums (Royal, played by Gene Hackman), as he attempts to reconcile with his family.

Click below for my favourite shot...

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BLOGATHON: My Movie Confessions

Nostra has started another great blogathon (you're probably familiar with his Actors/Actresses relays) where participants list their movies confessions in response to a series of questions. Without further ado, here are my secrets:

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MOVIE OF THE WEEK: The Hustler

Who ever thought a movie about a pool-playing hustler could be so fascinating? Well, when you cast Paul Newman in the title role of "The Hustler", you get a great film indeed. Like his other roles, Newman once again blends his movie star good looks with his immense charisma to create another captivating performance here. As his character unfolds, you are forced to hang on to every word, every expression, every gesture. His screen presence is really something to behold. Although the film gets a bit too mellow sometimes, you are so invested in his performance that you have no choice but to stick with it. I must admit, I groaned when they introduced the cliché love interest for Newman’s character. Shockingly, Sarah Packard (played by Piper Laurie) turned out to be one of the most interesting characters in the film. I expected her to submit herself to him and fulfill the vulnerable "damsel in distress" role, but she defied my expectations. Instead, this tough cookie is an unapologetic drunk who is fiercely self-assured. Her performance is deeply soulful, to the point that it almost overshadows Newman’s leading performance. Besides Laurie, the entire main cast performs well, earning well-earned Oscar nominations. They are the vessels that deliver this potent screenplay. While watching the film, the rich dialogue kept reminding me of Aaron Sorkin’s screenplay for "The Social Network". This script and the film itself is a true classic.

This film is part of my List of Shame.

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#FF Batman hysteria, Soderbergh and more...

The Dark Knight Rises is causing quite a stir this week (unfortunately both good and bad), so of course it's the hot topic around the blogs. Check out Parts I and II of the Podcast trilogy by Outside The Envelope and The (title pending) podcasts, discussing you guessed it...Christopher Nolan's Batman trilogy. Go have a listen and also check out the other great posts below:

For Part I of the special "podcast trilogy", Ryan, Dan and Brian discuss Batman Begins for the Outside The Envelope podcast.

In Part II, the trio discussed The Dark Knight Rises for The (title pending) podcast.

Steven Soderbergh has been getting some flack for his atypical casting choices lately, but Alex wonders whether some of these "non-actors" don't actually bring a further sense of realism to his films. Check out his insightful post and join the discussion.

Stevee is a big Nolan fan and writes a nice retrospective post on his great filmography.

Tom from At The Back reviews The Debt, which is a solid film that not many people have seen.

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MOVIE OF THE WEEK: The Whistleblower

This was another underwhelming week for me in my movie-watching, so I will once again highlight I film I saw earlier in the year. My "Movie of the Week" is the underrated and under-seen film - "The Whistleblower". This film is a grim, intense thriller that reminds us of the unreported evil that pervades throughout society. The title character is incredibly fascinating and admirable, impeccably acted by Rachel Weisz. The film provides more than just simple entertainment. It is a scathing exposé on a shameful UN coverup. The injustices portrayed in the film certainly left me angry. If that was the intention, then it definitely succeeded. Some of the scene choices were a tad too obvious but overall, this was a well-made film. Go check it out.

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A ROTTEN TOMATO: Pink Narcissus

In support of The Film Experience's Hit me with your best shot series, I watched Pink Narcissus. Unfortunately, there was nothing about this film that made me interested in choosing a "best shot". This film was so awful that it actually made me angry. If this is supposed to be some amazing art house film, then I'm perfectly fine with being a philistine.

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#FF Defending Keira Knightley, reviews and more...

With Anna Karenina on the horizon, Keira Knightley is set for another well-dressed period piece. Do you think she's been typecast over the years? Read Andrew's thoughts on the matter below, along with other great posts from other bloggers this week:

Like myself, Andrew is a fan of Keira Knightley's work and speaks up in defense of her labeling as "the corset queen".

Alex has released the trailer for his upcoming short film Earrings. I worked on short films in college, so I know how difficult and time-consuming it is. Go support him, it looks good!

In light of the new Spider-Man movie, Jason discusses our "Reboot Culture" and reminds us that in comic books, characters are rebooted all the time.

Over at The Film Emporium, Andy highlights a fantastic scene from Shame

Dan recently reviewed Office Space as part of his Movies That Everyone Should See series. If you haven't seen it yet, what are you waiting for?

The lovely ladies from And Seen (Julie and Traci) recently did a video review of Magic Mike in the only appropriate way - in the nude!

On episode 62 of the LAMMY-winning Matineecast, Ryan and Alex(from Film Forager) discuss The Amazing Spider-man, among other things.

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