Wednesday, August 8, 2018

Top 10 Spike Lee Joints


On August 10, “BlacKkKlansman” will be released in theaters nationwide, marking the 38th feature film in the storied filmography of Spike Lee. As one of the pioneering figures of the 1980s independent film movement, Lee’s career has made him one of the most influential black filmmakers of all time. And with the release of his latest, early reviews prove that he hasn’t lost his flair for the politically-charged, provocative work that captivates audiences everywhere.

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10 Best Debut Films by Directors of Color Since 2008


Ask any director and they’ll tell you that getting your first feature funded and completed is no easy task. And when you’re a director of color, it’s even more daunting. Indeed, it’s no secret that white directors are often afforded greater opportunities to further their careers following their debut features. But for filmmakers of color, there’s the likelihood that their first film could be their last.

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REVIEW: The Cakemaker


From poisoned apples in fairytales to raunchy kinks in adult-oriented fare, food has long served as a plot device throughout film history. That tradition continues with “The Cakemaker,” a cross-cultural drama directed by Ophir Raul Graizer. In this delicate drama, the power of food creates an unlikely love triangle that transcends borders.

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REVIEW: Believer


If you thought Hollywood had the cornered the market on seemingly unnecessary remakes, think again. Back in 2012, Hong Kong director Johnnie To’s “Drug War” opened to critical acclaim, strong box office, and eventual awards recognition. Hoping to repeat that success, Lee Hae-young brings his take on that story with “Believer“. As with any remake, there’s an inevitable element of familiarity. But this gripping tale of crime also forges its unique identity, adapting a proven formula to deliver heart-pounding entertainment.

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10 Foreign Directors to Watch in 2018


Taking place at the start of the blockbuster-driven summer season, the Cannes Film Festival always holds a special place in the film calendar. While the next few months will see most of the media attention focused on Hollywood fare, this prestigious festival shines a spotlight on the best of world cinema. Indeed, at the recently concluded 2018 edition, only 2 American directors competed for the coveted Palme d’Or this year, while filmmakers from Egypt to Kazakhstan were feted.

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INTERVIEW: Carla Simón


Filmmaking rarely gets more personal than the award-winning debut feature from Carla Simón. Inspired by the personal tragedy surrounding her mother’s death from AIDS-related complications, “Summer 1993” is a tender drama told from a child’s point of view. As the film heads to US theaters around the 25th anniversary of the events depicted, I recently caught up with Simón to discuss the challenges and fulfillment of making a film from painful memories. Below is an edited version of our conversation.

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REVIEW: The Desert Bride


When we think of the term “starlet,” the image that immediately comes to mind is a conventionally attractive actress in her teens or 20s. Indeed, the label would hardly ever be used to describe a woman nearing her 60s. But ever since making her film debut in 2002 at the age of 42, Paulina García has proven to be every bit a rising star as her younger counterparts, turning in stunning work in recent films like “Gloria,” “Little Men.” Now, she adds another exquisite performance to her résumé as the lead in Cecilia Atán and Valeria Pivato’s “The Desert Bride.”

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