Sunday, September 17, 2017

TIFF: In The Fade


When we first meet Katja (Diane Kruger), the protagonist of “In The Fade” she seems to have it all. Living a comfortable lifestyle in Hamburg with her loving husband and son, she has no worries. In the blink of an eye, all that is taken away in this gut-wrenching revenge thriller from Fatih Akin.

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TIFF: Wajib & Sheikh Jackson


In a pair of TIFF films set in the Arab world, the tensions between Eastern and Western culture take on personal implications. Both are Oscar submissions for their respective countries, with “Wajib” and “Sheikh Jackson” representing Palestine and Egypt respectively. They also share similarities in their focus on father-son relationships, through which they discuss cultural differences surrounding religion, ancient traditions, and individual freedom.

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TIFF: Racer and the Jailbird


Film history has given us such memorable pairings as “Bonnie and Clyde” and “Butch Cassidy and the Sundance Kid”. For his latest film, Michaël Roskam sought to emulate these dynamic duos with his own take on love, crime, and punishment. The result is “Racer and the Jailbird“, a flawed but ambitious film starring Matthias Schoenaerts and Adèle Exarchopoulos.

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TIFF: The Disaster Artist


After receiving his first Oscar nomination for “127 Hours”, James Franco hasn’t exactly lived up to the expectations of that honor. Though he remained incredibly prolific and acted in a few hits, his place on the A-list became precarious. Most noticeably, he made a foray into directing, which resulted in a slew of underwhelming indie experiments that almost became a running joke for their consistent inclusion at major film festivals.

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TIFF: Disobedience


Not content to bring just one award-winning film ("A Fantastic Woman") to TIFF 2017, Sebastián Lelio doubles up this year with another engrossing female-led drama. Starring Rachel Weisz and Rachel McAdams, “Disobedience” marks his English-language debut. And more significantly, it is arguably his most impressive directing achievement to date.

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TIFF: A Fantastic Woman


Movies about “triumphs over adversity” have long been a staple of cinema throughout the history of the artform. Unfortunately, that ubiquity can lead to predictable clichés. But every so often, a film like “A Fantastic Woman” comes along that breaks the mold. Directed by Sebastián Lelio, this aptly titled drama features a uniquely inspiring protagonist, showcased through the perceptive eye of a brilliant filmmaker.

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TIFF: You Disappear


In the opening scene of Peter Schønau Fog’s “You Disappear“, a man (Frederik, played by Nikolaj Lie Kaas) recklessly joy rides his family car – with terrified wife and son inside – to a potentially deadly crash. Moments later, as the family exits the car to catch their breath, he falls off a ledge at the side of the road. When he’s taken to the hospital, the family gets unexpected news. A tumor has been found in his brain, explaining his erratic behavior. But there’s an even more troubling revelation to come in this challenging Danish drama.

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TIFF: Tulipani: Love, Honour and a Bicycle


With a title like “Tulipani: Love, Honour and a Bicycle“, you’d be correct in assuming this comedy-drama from Mike van Diem is not a simple story. Indeed, this cross-cultural, decades-spanning yarn is at its heart, a showcase for the art of storytelling. Whether you are narrating or being told a story, it can be a joyous experience, as shown with this highly entertaining film.

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TIFF: The Florida Project


In his latest indie gem “The Florida Project,” Sean Baker puts the spotlight on everyday heroes hidden in plain sight. Much like his Hollywood-set “Tangerine,” he looks at the “shady” side of another one of America’s famous dreamlands. This time around the setting is a cluster of cheap motels located just a stone’s throw from Disney World. And in the same empathetic way that made “Tangerine” a highlight of 2015, “The Florida Project” is one of this year’s most warm, vibrant films.

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TIFF: I, Tonya


In one the best surprises of TIFF so far, Margot Robbie stars in “I, Tonya” as Tonya Harding, the disgraced American figure skater who came to prominence in the early 1990s. Her story begins in Portland, where from a very young age, she longed to become a professional figure skater. With prodigious talent to go along with her desire, her mother LaVona (Allison Janney) encouraged her to aggressively pursue her dream. As a struggling waitress with a failing marriage, however, LaVona quickly realized that Margot’s humble background did not fit the elegant image expected of the sport. Through ruthless determination and undeniable skill, however, the combative (towards naysayers and each other) mother-daughter duo fought for Tonya’s place at the top of the figure skating world. But it all came crashing down in one of the biggest sports scandals in history.

Read more at The Awards Circuit