Monday, July 17, 2017
In one scene of Andrew Cohn’s documentary “Night School“, we see a counselor advising a former high school dropout while the words “Black Lives Matter” are conspicuously displayed on his computer screen. In another, a young woman fights for her rights in a street protest for better wages. Neither of these scenes nor the overall film explicitly address the BLM movement, but it’s impossible to ignore its inherent relevance. The comparison however proves to be both a blessing and a curse in “Night School”, a limited but important examination of America’s flawed education system.
Read more at The Awards Circuit
Though the term “cultural appropriation” has only recently become a widespread trigger word in public discourse, the practice has been a part of society for centuries. A perfect example is lacrosse, which usually brings to mind elitist images of private school-educated WASPs. To make matters worse, this relatively niche sport received perhaps its most prominent headlines for a college rape scandal. But this unfortunate reputation perfectly exemplifies how the sport has been misappropriated throughout its long history. In “Spirit Game: Pride of a Nation,” directors Peter Spirer and Peter Baxter turn the spotlight on the Native American founders of the game, giving lacrosse a much needed face lift through this vital documentary.
Read more at The Awards Circuit
In his new film “The Commune", Thomas Vinterberg directs Trine Dyrholm in an award-winning role that should delight fans of this Danish thespian. Dyrholm plays Anna, a dutiful wife and well-known TV news reporter, who lives with her architect/professor husband Erik (Ulrich Thomsen) and daughter Freya (Martha Sofie Wallstrøm Hansen). They live in a large house inherited from Erik’s late father, enjoying the spacious luxury that entails. However, when the bills begin to pile up and her husband’s demeanour becomes increasingly gloomy (due to frustrations at work), Anna demands a change. But as the saying goes, be careful what you wish for.
Read more at The Awards Circuit
Sunday, July 16, 2017
In the rarefied air of "film twitter," of which I am a sometimes reluctant member, reboots and sequels are usually frowned upon. Thanks to the tentpole strategies of the major studios, each new "summer" movie season (now effectively running from March onwards) feels almost like a replica of the last. But as this atypically strong year for blockbusters has proven, these box-office driven spectacles can still deliver inspired, quality art. One prime example now playing in theaters is "War for the Planet of the Apes", the utterly amazing conclusion (well, until the studio decides to greenlight another one) to the latest trilogy of Planet of the Apes films. Though it is both a reboot and a sequel, it feels as fresh and visionary as the brilliant 1968 original.
In "War for the Planet of the Apes", the protagonists of the story are unambiguously the apes, lead by their leader Caesar (Andy Serkis), a highly intelligent chimpanzee. Following the events of "Dawn of the Planet of the Apes", an ongoing war has erupted between them and the humans. Hiding out in the woods, Caesar still hopes for peace. But an attack is soon unleashed on the ape clan, with the aid of treacherous apes who assist the humans. With their home no longer safe, the remaining apes venture out to find a new sanctuary. But Caesar takes the violence personally and sets out on his own quest to confront the humans and their ruthless Colonel (Woody Harrelson).
And so begins a war of epic proportions, as Caesar and the refugees set out on divergent, perilous paths. But as much as the narrative is about apes vs. humans, the real focus is on Caesar. In this regard, the film becomes a rich character study of his internal struggle, which wrestles with themes relating to forgiveness, heroism and the great responsibility of being a leader. His is a heavy burden, shouldered with admirable complexity and conveyed superbly through the use of astonishing visual effects and yet another groundbreaking performance by Andy Serkis. Throughout the course of this trio of films, this character has been the cornerstone of the franchise's success. Vastly surpassing your run-of-the-mill CGI, one look into those eyes reveals a living, breathing individual experiencing a gamut of emotions.
Indeed, "you're so emotional" retorts the Colonel when he finally meets face-to-face with Caesar. And it's this strong sense of emotion that guides the narrative. Though the story incorporates a highly entertaining mix of recognizable genre tropes relating to war, holocaust dramas and prison breaks, it never loses sight of its affecting emotional throughline. At the heart of it all, "War of the Planet of the Apes" is a dialogue between compassion vs survival instincts. Is violence essential to survive? Can man and ape coexist? If not, who deserves to inherit the earth?
In answering these questions and more, the remarkable script finds tremendous empathy for both points of view. And though the Colonel admits that the apes have achieved superiority, there is still a sense of a level playing field, which makes the outcome of the war so gripping and intriguing. Neither ape nor man feels invincible. But as the film smartly concludes - in what is essentially a sly allegory for climate change - nature will ultimately prevail.
Wednesday, July 12, 2017
Looking back on the landscape of television this past season, I continue to be impressed by the medium's ability to surprise me. As you'll see in my Top 10 list below, my faves ranged from music concerts, to lavish costume dramas, to provocative sci-fi and everything in between. Among this eclectic bunch, it's worth repeating that women-centric programming had a standout year, with the majority of these shows featuring a female lead - and in some cases, multiple female leads.
Much credit for this welcome sea change from the brooding male antihero of years past goes to Netflix and HBO. Indeed, these premium content providers landed 4 and 3 shows each on my list, including such actressy delights as "The Crown", "Orange is the New Black" and "Big Little Lies". Meanwhile, "Transparent" and "It's Always Sunny in Philadelphia" and "Feud: Bette and Joan" ensured representation for Amazon, FX and FXX. And though there were no network shows that made the cut, they also played a major role in offering quality programming for all audiences. In short, it's a great time to be a TV fan.
Here are my Top 10 Programs of the 2016-2017 TV Season:
- Justin Timberlake + The Tennessee Kids (Netflix)
- Black Mirror: San Junipero (Netflix)
- Transparent (Amazon)
- The Crown (Netflix)
- The Leftovers (HBO)
- The Night Of (HBO)
- Big Little Lies (HBO)
- Orange Is The New Black (Netflix)
- It's Always Sunny In Philadelphia (FXX)
- FEUD: Bette and Joan (FX)
|Best Casting: Big Little Lies, Transparent, The Crown|
At the end of another strong season of television, one thing is clear when it comes to the best performances of 2016-2017. Thanks to a slew of excellent women-centric shows, the women ruled the roost. From fading screen legends to underestimated young queens, the small screen offered female roles that captivated audiences and had the world talking. As one of the complicated mothers on "Big Little Lies" for example, Nicole Kidman sparked renewed interest in her career through her exquisite portrayal.
Among the male actors, there were also some outstanding performances. These included Tituss Burgess and Andrew Rannells who subverted expectactions of the "sassy gay friend" by showcasing their vulnerability, acerbic wit and yes, even a showtune or two. Other highlights included Jeffrey Tambor's deeply affecting work on "Transparent", further proving that TV is really where it's at if you want to see a diverse range of ethnic, gender and sexual representation. So without further ado, here are my Top 10 Performances of the 2016-2017 TV Season.
- Nicole Kidman, Big Little Lies
- Reese Witherspoon, Big Little Lies
- Carrie Coon, The Leftovers
- Claire Foy, The Crown
- Jessica Lange, FEUD: Bette and Joan
- Shailene Woodley, Big Little Lies
- Tituss Burgess, Unbreakable Kimmy Schmidt
- Andrew Rannells, Girls
- Jeffrey Tambor, Transparent
- Matthew Rhys, Girls
Angela Bassett, Master of None (Best Guest Actress in a Comedy)
Kathryn Hahn, Transparent (Best Supporting Actress in a Comedy)
Issa Rae, Insecure (Best Lead Actress in a Comedy)
Glynn Turman, Queen Sugar (Best Guest Actor in a Drama)
Ann Dowd, The Leftovers (Best Guest Actress in a Drama)
Michael J. Harney, OITNB (Best Supporting Actor in a Drama)
Vanessa Kirby, The Crown (Best Supporting Actress in a Drama)
Kofi Siriboe, Queen Sugar (Best Lead Actor in a Drama)
Alfred Molina, FEUD (Best Supporting Actor in a Limited Series/Movie)
John Turturro, The Night Of (Best Lead Actor in a Limited Series/Movie)